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Peter Zummo
Peter Zummo (born 1948) is an American composer and musician.〔(“Composer Profiles: Peter Zummo”. ''Kalvos and Damian.'' Web. Retrieved September 2, 2014. )〕 He has been described as "an important exponent of the American contemporary classical tradition." Meanwhile, he has been quoted as describing his own work as "minimalism and a whole lot more."〔(“Blue” Gene Tyranny. “Peter Zummo: Zummo With An X”. ''Dram''. September 10, 2006. Web. Retrieved September 2, 2014. )〕
Since 1967, Zummo's compositions exploring the rock, jazz, new- and electronic-music, disco, punk, and world-music idioms have been presented in venues including the Brooklyn Academy of Music, New York City Center, Experimental Intermedia Foundation, Dance Theater Workshop, and La MaMa Experimental Theatre Club, among many others in New York City, as well as in numerous additional spaces worldwide.〔 The website of the music magazine ''Pitchfork'' called Zummo’s music “the sound of sublimity…that sends shivers down the nervous system,” and in an interview with ''The Quietus'', Scottish deejay JD Twitch (Keith McIvor) characterized Zummo’s work as “sheer bliss.”〔(Andy Beta. “Arthur Russell/Peter Zummo: Zummo With An X”. ''Pitchfork''. June 12, 2012. Web. Retrieved September 2, 2014. )〕〔(“Peter Zummo & Arthur Russell Reissued”. ''The Quietus''. May 8, 2011. Web. Retrieved September 2, 2014. )〕
==Composing and performing career==
Writing in the British culture blog "The Ransom Note," Tim Wilson commented that some of Zummo’s "most familiar" music was created with cellist Arthur Russell.〔(Tim Wilson. “Peter Zummo Talks + Listen to Influences Tapes”. ''The Ransom Note.'' April 17, 2014. Web. Retrieved September 2, 2014. )〕 Zummo played on most of Russell’s recordings and produced several of them.〔(Robert Barry. “Late Night City Sonics: An Interview with Peter Zummo”. ''The Quietus.'' July 30, 2012. Web. Retrieved September 2, 2014. )〕〔 Their collaborations in multiple musical styles included Russell’s disco single, “Kiss Me Again.” In it, according to a review in ''The New Yorker'', “phrases emerge and wrap around each other: Peter Zummo’s gorgeous trombone motif, Russell’s pizzicato cello theme, and a growing drone of loud, dissonant guitars…When the smoke clears, genre is just a memory.”〔Frere-Jones, Sasha ("Let's Go Swimming" ), ''The New Yorker'', March 8, 2004. Web. September 14, 2014〕 In 2014, Zummo and longtime collaborators, bass player Ernie Brooks and percussionist Bill Ruyle, recorded Russell’s ''My Love Is Crying'' with New Zealand musician and composer Liam Finn.〔(Liam Finn. “From the Desk of Liam Finn: Arthur Russell”. ''Magnet.'' May 6, 2014. Web. Retrieved September 2, 2014. )〕〔(Evan Minsker. “Sufjan Stevens, Robyn, Hot Chip, Blood Orange, Phosphorescent on Arthur Russell Tribute”. ''Pitchfork.'' July 15, 2014. Web. Retrieved September 2, 2014. )〕
Russell, in turn, played often for Zummo, notably on the Bessie Award–winning composition ''Lateral Pass,'' created for a dance by choreographer Trisha Brown, with a stage set by artist Nancy Graves.〔(“Dancers and Performers Receive Bessie Awards”. ''The New York Times.'' September 19, 1986. Web. Retrieved September 2, 2014. )〕 In 2014, Foom Music, in London, released an original recording of this 1985 piece. According to Piccadilly Records, the CD demonstrated that “Zummo’s signature trombone style, renowned for its rich and soothing tone, has become one of the most beloved features of Russell’s celebrated sound."〔(“Peter Zummo Feat. Arthur Russell/Lateral Pass”. ''Piccadilly Records.'' April 28, 2014. Web. Retrieved September 2, 2014. )〕
In the fall of 2014, Mikhail Barishnikov's Baryshnikov Arts Center, in New York City, awarded a residency for the creation of new work to Zummo and Brooks.〔(Barishnikov Arts Center. Residencies: Peter Zummo + Ernie Brooks. Web. Retrieved September 2, 2014. )〕 Additional support over the years has come from the National Endowment for the Arts, the New York State Council on the Arts, Meet the Composer, the New York Foundation for the Arts, and other funders.〔
Zummo appears as himself in Jonathan Demme's ''Accumulation with Talking Plus Water Motor,'' a film featuring Trisha Brown,〔(Jack Anderson. “Thinking Aloud About Movement: All the Rest Is Talk”. ''The New York Times.'' February 9, 2001. Web. Retrieved September 2, 2014. )〕 and in '' Wild Combination: A Portrait of Arthur Russell'', a documentary by Matt Wolf.〔(Wild Combination: A Portrait of Arthur Russell. ''Wildcombination.com''. Web. Retrieved September 2, 2014. )〕 Zummo contributed to the score of ''Tramas'', Italian director Augusto Contento’s cinematic portrait of São Paulo, Brazil, worked with artist Donald Judd to realize Trisha Brown’s ''Newark'', and played for Andrei Șerban–Liz Swados collaborations, including ''Fragments of a Greek Trilogy''.〔(''Tramas'': Full Cast and Crew. ''IMDb''. Web. Retrieved September 2, 2014. )〕〔(Anna Kisselgoff. “The Trisha Brown Company in ‘Newark’”. ''The New York Times''. September 16, 1987. Web. Retrieved September 2, 2014. )〕〔(Andrei Șerban. ''Encyclopedia.com''. Web. Retrieved September 2, 2014. )〕
Performing for other bandleaders, Zummo has appeared in the Lounge Lizards, Gods and Monsters, Stephen Gaboury’s B-Twist Orchestra for the dance company Ballets with a Twist, Go: Organic Orchestra, Tilt Brass, Downtown Ensemble, Flexible Orchestra, The Necessaries, and Dinosaur L. He has also played in units put together by composers David Behrman, Philip Corner, Guy De Bievre, Tom Hamilton, William Hellerman, Annea Lockwood, Jackson MacLow, Ben Neill, Phill Niblock, Pauline Oliveros, Vernon Reid, Steve Swell, Yasunao Tone, Lise Vachon, Yoshi Wada, and others.〔〔〔(Dr Rob. “20 Questions/006/Peter Zummo”. ''Test Pressing.'' July 2, 2012. Web. Retrieved September 2, 2014. )〕 Zummo performed on Teo Macero’s ''Fusion,'' which featured both the Lounge Lizards and the London Philharmonic Orchestra.〔(“Teo Macero Conducts the London Philharmonic Orchestra, Featuring the Lounge Lizards—Fusion”. ''Discogs.'' Web. Retrieved September 2, 2014. )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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